A brave and talkative wine merchant, Eugène Barbentin drives his son Pierrot out of the family home, because he has given birth to his girlfriend. His wife then reveals to him that he is not Pierrot's father and she flees with her lover. Abandoned, Eugene will be saved by his mother who will restore the situation with energy and determination.

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-“Un homme au foyer“ recounts the often comical adventures of a family whose father stays at home to take care of children and household chores.

An animated cartoon envisaging the kind of world that children of the future may well inherit when the last vestige of blue is blotted from the sky by the spreading mantle of smog. In this story a little boy sets out, equipped with celestial wings, to discover whether what an old man has told him is actually true, that there is blue above the grey. When he finds it he concludes that blue is where paradise is; the grimy earth is the netherworld.

Bored with her life with her husband the lighthouse keeper, Hélène sleeps with two other men who fight for her.

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How much would a person give or give up to see someone who has died? In a futuristic society where those in the living world who mourn can have those passed on be brought back to life.

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“Describe a lost film by Lionel Soukaz; it was called La Vérité nue. And to do so, evoke the figure of the filmmaker, who passed away this year.” Made after Soukaz’s death, this film, almost without images, is an elegy and a testimony. In it, Xavier Baert meditates on Soukaz’s cinema, on their relationship, and on the survival capacity of images: how to describe what has been lost.